Abstract

Computational collage in Viborg, Denmark


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LESS Festival of Collage


Large scale installation of computational collages

Exhibited in LESS FESTIVAL FOR CONTEMPORARY COLLAGE ART VIBORG
19.09–18.10 | 2020.

LESS festival
LESS festival, [Installation view], 2020, Large-format digital print on adhesive vinyl, Various, Karen ann Donnachie & Andy Simionato.

[From LESS Festival Press Release]

Conceived before pandemic, the theme of ‘NUTOPIA' now invites new contemplation. When the tectonic plates of our civilisation shift, we have room for consideration of how nature and community grounds us; and embrace that art provides us purpose and connection, in the most challenging of times.

Set in the picturesque town of Viborg – the oldest town in Denmark. LESS festival looks to elevate the history, present and future of Contemporary Collage Art and artistic community. For one month Viborg will be transformed by collage art – presenting vibrant and exciting immersive exhibitions including in ‘pop-up’ gallery spaces, architectural facades, and public installations. Launching in this time of immense social change, our first festival will present a series of installations, available to view alone, or in small groups. and exploring new ways with with to connect with art in our ever-changing world.

Our inaugural festival will present twelve international artists working across print, installation and moving image. In the historic Old Town Hall we will present an exhibition of archive work by influential artist Penny Slinger [UK/US]; and LESS Founder Sergei Sviatchenko’s new series ‘Gentle Double Melody of Nature’, a homage to local Danish landscape painter P.C. Skovegaard. Throughout Viborg, LESS will present facade installations by Nico Krijno [SA], Lucia Pizanni [Brazil/UK], K Young [UK], Anna Bu Kliewer [GER/UK], James Springall [UK], DR. ME [UK], Donnachie & Simionato [AUS], Kirsten Otzen Keck [DK]; video art by Juliet Casella [FR] and Noriko Okaku [JP/UK] LESS festival aims to celebrate how art can transform our visual, urban and mental landscapes; and set a platform for a new comment for contemporary collage art and practice. The festival was conceived by the influential Danish-Ukrainian artist Sergei Sviatchenko, who has worked in Viborg, Denmark since 1990. The festival is co-curated with Faye Dowling, London, and with art direction by James Greenhow/NEW.AGENCY.



Images & Video

) The Center for Computational Unknowing
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At the CCU we practice many experimental art techniques of appropriation, including computational collage where existing publications (including books and magazines) and other found printed matter, are 'cut-up' and recombined into new works. The use of these found materials means that parts of the original publications may be included in the final artworks and/or process documentation. In such cases, we acknowledge the use of the original somewhere in the didactic description or directly within the work itself. However, any inclusion of the found publication, or part thereof, in the final artwork should not imply any endoresment of the CCU by the original publication's authors or publishers. All enquiries should be directed to our offices.


 
Acknowledgements

All artworks and texts, unless otherwise stated, are published courtesy the artists, 'Donnachie, Simionato & Sons' (2024). Visual and textual materials on this site may only be reproduced for scholarly purposes and with citations. Please forward all enquiries to email@unknowing.cc

Many of the automated-art-systems in the CCU utilise open-source software and hardware which would not exist without the contribution of their respective communities. Special thanks to Processing (Java and Javascript); arduino (C++) and Raspberry Pi systems; Python; Inkscape.



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